November 5, 1997.  Another epic prank. (#152)

“Excuse me?” the employee at the grocery store told me.  “You’re not allowed to have that in here.”

“What?” I asked.

“The camera.  Those aren’t allowed in here.”

“Why?”

“Company policy.”

“But why?”

“I don’t know.  But it’s our company policy.”

“That’s dumb,” I said.

I sulked toward the front of the store, holding two 12-packs of toilet paper in one hand and the Santoros’ video camera in the other.  Taylor, Noah, and Erica were standing near the front of the store, each also holding toilet paper.  “They said we weren’t allowed to use the camera in here,” I said, disappointed.

“What?” Erica replied.

“Maybe because they don’t want competitors to find out how they do business, or what their prices are,” Noah explained.

“I guess that makes sense,” I said.  “But then we’ll be missing the start of the video where it shows all of us buying toilet paper.

“What if we film from the parking lot?  We can show each of us walking out of the store with toilet paper,” Taylor suggested.

“That’s a great idea,” I said.  “Where are Brody and Courtney?”

“Here they come,” Taylor pointed across the store, where Brody and Courtney approached us, each carrying toilet paper and giggling about something, as they often did.  The six of us all got in line to pay for our purchases.

“Wow,” the cashier commented, seeing all of us buying toilet paper together.  “Someone’s getting hit tonight.”  I laughed.

I went through the line first and waited outside, with the camera running.  We had each paid separately because we wanted to record a video of each of us individually buying toilet paper.  I stood in the parking lot and recorded Taylor, Noah, Courtney, Brody, and Erica each walking out of the store holding toilet paper, with about three seconds between each person.  I then walked inside the store and walked back out carrying my toilet paper, with Brody holding the camera, so that I could be in the video as well.


Lucky closed at midnight on weekdays, and we had finished our purchase and left the store about half an hour before closing.  It was a Wednesday night, and a few hours ago, we had all been at The Edge, the youth group for junior high school students at Jeromeville Covenant Church.  I was borrowing a VHS video camera from Zac Santoro and his family, because we were making a movie based on my characters Dog Crap and Vince.  That was the week that we had recorded the school dance scene after youth group.  The students did not know that we had plans to make another video with the same camera after they went home and went to bed.

A week ago, during our weekly meeting before the students arrive, we were talking about playing some kind of fun, non-destructive prank on a large group of students, and making a video of it to show at youth group.  “Does anyone have a video camera?” Noah asked.

“I’m borrowing one from the Santoros right now, because we’re working on the Dog Crap and Vince movie,” I explained.

“That’s perfect!”  We discussed all of the usual playful pranks that were popular at the time and made a plan.  Not everyone participated; Cambria and Hannah both had midterms to study for and could not stay up all night, as this would probably require.  Adam, the youth pastor, politely declined, although he was completely supportive of what we were planning to do.

Back then, Brody drove an old family sedan that seated six, three in front and three in back. The car had been his family’s old car.  We all piled in the car and headed north on Andrews Road, across Coventry Boulevard, toward the Santoros’ house.  We went there first because it was the closest.  “Kind of ironic that we’re using the Santoros’ camera to record the Santoros getting toilet-papered,” I remarked.

“I know!” Taylor said.

Brody stopped the car around the corner from the Santoros’ house, far enough away that they would not notice.  “Wait,” Taylor said before we got out.  “Let’s make sure to ration our toilet paper.  How many houses are we hitting?”

Noah looked at the list that we had made earlier.  “Eighteen,” he said.

“And we each got two 12-packs, so that’s 24 rolls.  Six of us, what’s six times 24?”

“One hundred forty-four,” I blurted out.

“And eighteen houses, what’s 144 divided by 18?”

“Eight,” I replied just as quickly.

“Good thing we have a math major on this adventure!” Courtney said.

“Yeah, because apparently you need my advanced math skills to do second grade arithmetic.  Just kidding.”

“So,” Taylor said, “maximum of eight rolls per house.  Ready?  Go!”

We began unwrapping the cases of toilet paper.  We carefully counted out eight rolls and walked quickly but quietly to the Santoros’ front yard, some of us carrying one roll and some of us carrying two.  Brody looked ready to throw his in the tree, but Taylor grabbed his arm.  “Wait!” he whispered.

“What?” Brody mouthed silently.

“We should show the house on camera first with no toilet paper.  So Zac can recognize his house.  Then we’ll show scenes of us TP’ing it.  And do that for all the houses.”

“Good idea,” I mouthed, nodding.  I started the camera and recorded the front of the house for a few seconds.  Then as the others threw their rolls of toilet paper into the trees and bushes, I continued recording people throwing toilet paper flying through the air, and the trees and bushes covered in long white streaks.  We stood back and admired our work for a few seconds, then quickly walked back to the car.  It was already midnight on a school night, and we had a lot of work to do.

Next, we drove the quarter-mile to Samantha Willis’ house, on the end of a cul-de-sac off of Alvarez Avenue.  We parked at the other end of the street, near the corner with Alvarez, and carried a total of eight rolls of toilet paper to the Willises’ front yard.  I had not been to this house before, but it backed up to the Coventry Greenbelt, so I had probably been on a bike ride at some point and seen the Willises’ back fence from a distance without realizing it.  The other five carefully tiptoed around the yard, throwing toilet paper up into the tree and across the bushes, as I stood back recording it all on camera.  I made sure to get a clear shot of the house, so that Samantha and her friends would recognize the house.  “This video is gonna be so cool,” I whispered to Taylor and Noah as we quietly walked back to the car.


We had been planning this event for the last week, and I had been assigned the task of making our route, since everyone knew that I was good with maps and directions.  Noah and Taylor, in consultation with Adam, had made a list of which students’ houses to visit.  We only included students from families that were regularly involved at church and families whom the youth leaders knew well.  Some of the kids came from families that would not appreciate being pranked, and some families were unsupportive of their children’s involvement with Christianity, so we did not want to get in trouble or jeopardize our relationships with those students and their families.

We hit a few more houses in north Jeromeville, then headed west across the overpass at Highway 117 to three houses in west Jeromeville.  We arrived at the Fosters’ house first of those three.  As we approached the front yard, full of bushes that could hold a lot of toilet paper, Erica turned to me and said, “This is really weird, toilet-papering my own house.”

“I know!” I said.  I kept one roll for myself, because of something I thought of on the drive over here.  When the other seven rolls had been strewn about the bushes, I unrolled mine and began decorating a large bush that had mostly been missed by the others.

As we tiptoed back to the car, I could now turn to Erica and whisper, “Your house is now the only house in the world which I have toilet-papered twice, once on the outside and once on the inside.”  I knew that Erica knew of my involvement in the prank that we pulled for her birthday last year, so I was not incriminating myself by saying that.

Erica thought about this for a second, then smiled and laughed.  “Oh, yeah!” she whispered back.  “And I never changed my answering machine from that night!  People still hear you guys singing when they call me!”

“That’s amazing!”

“I still think it’s hilarious that you filled up all those water bottles.”

“I think that was Brody’s idea.”

“Sounds like a Brody thing.”

Several houses later, we were driving along 8th Street in central Jeromeville when we noticed another car behind us turning out from a side street.  A few seconds later, flashing red and blue lights appeared from the car behind us.  Brody swore and signaled to pull over.  I looked at Taylor and Noah, horrified.  “Hide the toilet paper!” Taylor said, as we attempted to push as much of it as we could under our feet.

As Brody rolled down the window, the police officer from the car that pulled us over approached and said, “Your tail light is cracked.”

“It is?” Brody said.  “I didn’t know that.”

“Can I see your license and registration?” the officer asked.  Brody produced the necessary paperwork, and the officer filled out a ticket for Brody to repair the taillight.

“I’ll get that taken care of,” Brody said, looking at the ticket and putting it aside.

“Have any of you been drinking?”

“What?  No, we haven’t.”

“Step out of the car, please.”

Brody stepped out of the car as I sat silently in the back, terrified, looking at the others who were being equally silent.  After a couple minutes, the officer was sufficiently satisfied that Brody was sober and let him return to the car.  The police car drove off.

“Turn on the camera!” Taylor said.  I did so and pointed it at Taylor, who spoke to the camera.  “This is Taylor, reporting live from The Edge.  We just got stopped by the cops!  Brody, tell them what happened.”

I turned the camera to Brody, who said, “He said my tail light was cracked.”

“What else?”

“He wanted to know if I had been drinking.” Brody chuckled.  “Of course not.”

“We now return you to your regularly scheduled program,” Taylor said.  I turned the camera off.

A little bit later, we parked down the street from the Foremans’ house.  The Foremans had two students in The Edge, eighth-grade Shawna and seventh-grade Cory.  They lived on a cul-de-sac, this one in an older neighborhood, off of M Street just east of downtown Jeromeville.  “Be careful,” Noah whispered to the rest of us just before we got out of the car.  “They have dogs that might start barking.”  I nodded quietly.

Courtney was in the front as the six of us walked toward the Foremans’ house.  Their next-door neighbors had a tall sycamore tree that was beginning to shed leaves, and Courtney stepped on a dry, crunchy leaf as we reached the Foremans’ driveway.  As soon as the leaf crunched, two dogs began barking loudly.

“Run!” Noah whispered.  The six of us made an abrupt about-face and ran down to the car parked four houses away.  After we caught our breath, Taylor told me to start recording.  Brody turned north on M Street as Taylor announced, “This is Taylor, coming to you live from The Edge!  Shawna, Corey, we tried to include your house on this, but your dogs started barking.  If you woke up to the dogs barking in the middle of the night Wednesday night, or Thursday morning, that was us.  Sorry if we woke you up.  Hope you got back to sleep.”

We continued heading east after the Foremans’ house.  Eventually we reached Beech Drive, where the Houstons and the Suttons lived across the street from each other.  We only had to park once in order to hit both houses.

“They’re going to know right away it was us,” Noah said.  “Whoever goes outside first in the morning will notice that both of them got hit.”

“Should we only do one of their houses?”

“No, it’s okay.  Everyone will figure it out soon enough.”

I did my usual thing, recording each house from the outside first, then getting footage of the others throwing toilet paper into trees and unrolling toilet paper along bushes.  After we finished on Beech Lane, we drove all the way to Bruce Boulevard on the eastern edge of Jeromeville and crossed south of Highway 100 to hit a few houses in south Jeromeville.  By the time we finally got back to the church, where everyone had parked, it was almost three in the morning.  I walked home, since I lived just a short distance from church, and very quietly tiptoed to my bed and slept for less than four hours, since I had a full day of class and working as a tutor tomorrow.


“Greg,” I heard a woman’s voice say as I was leaving church the following Sunday.  I turned around and saw Mrs. Houston smiling at me.  “How was your week?” she asked.

“It was good,” I said.

“I was thinking about you the other day.  I was going to call you in the middle of the night and remind you that we love you.”  I looked at Mrs. Houston, a little confused, and she continued, “You know.  Because you stopped by in the middle of the night and told us that you loved us.”

“I see,” I said, chuckling.

Noah and Adam edited my footage down to a video about seven minutes long, with the Mission: Impossible theme song playing in the background.  This song, originally from an old television show about secret agents, had become popular again in recent years.  A movie based on the old show was released last year, and Adam Clayton and Larry Mullen, the bassist and drummer for the band U2, had a top 10 hit with their recording of the theme song.  We showed the video at The Edge the following week, and students cheered and laughed as their houses appeared on the screen.

I have often humorously wondered if God keeps some kind of record for each person of how much toilet paper everyone has used for pranking purposes and how much each person has received as the target of pranks.  If such a ledger exists, mine is far out of balance.  I have thrown many rolls of toilet paper for amusement purposes, mostly during my early twenties but also a couple of times after that, yet I have only ever received one roll in return.  During that same school year, different leaders with The Edge would take turns hosting watch parties for Monday Night Football each week.  This had been a popular tradition with previous years’ groups of students, but the students we had this year were not into football so much.  They would get bored by halftime and just to hang out or play games instead.  The Monday after we showed the video, I was hosting the football watch party, and Noah and Brody, who shared an apartment right across the street from me, were at my house.  Adam pulled me and a couple of the boys aside at one point and said that we should prank Noah and Brody while they watched the game, so in an inconspicuous span of five minutes, we walked across the street with a couple of rolls of toilet paper and decorated the bushes in front of Noah and Brody’s apartment.  The following week, I was at Noah and Brody’s for Monday Night Football, and when I got home, I noticed that someone had tossed one roll of toilet paper into the tree in my front yard.

Of course, there is no eternal consequence for being out of balance like this, and it is not something that affects my life from day to day.  All of this toilet-papering was in good fun, and as Mrs. Houston said, playful and non-destructive pranks like this are a way for recipients of the prank to know that we are loved.


Readers: Those of you who know where I live in real life, please don’t toilet-paper my house. I have enough to deal with right now. Also, tell me about some pranks that you’ve been part of.

If you like what you read, don’t forget to like this post and follow this blog. Also follow Don’t Let The Days Go By on Facebook and Instagram.


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Late October-early November, 1997. I made a movie. (#150)

These days, in the era of YouTube, Instagram, and TikTok, it is difficult to believe how recently it was that common people did not constantly make their own videos.  In the 1990s, doing so required a camera that cost hundreds of dollars, and was the size and weight of a medium-sized textbook, at minimum.  Also, it was necessary to record these videos onto a tape, and to make sure that there was enough room on the blank tape to record the video without erasing any existing footage.  Showing someone a homemade video required a television connected to a VCR or to the camera itself.  The Internet existed, but the processing and connection speeds of computers in that era limited most Internet uses to text and standard-definition photos and graphics.

I never had a video camera growing up.  I wanted one so badly.  I had many ideas for movies and shows I wanted to make.  My brother Mark and I, along with whatever neighborhood kids were around, would sometimes act out performances that would have made good home movies.  We had a weird variety show called The Mark Show, full of characters based on various inside jokes, and a game show called Messy Room, inspired by Double Dare and Fun House and the other kids’ game shows that briefly became popular in my preteen years.  For some of our shows, we would record the audio so we could at least listen to them later, but they were the kind of performances that would have worked much better with video.

Now, in my early 20s, my creative project was a website called Dog Crap and Vince, which I began shortly after I taught myself the basics of HTML, the code used to make websites.  Dog Crap and Vince was a series of crudely illustrated stories about the adventures of two quirky high school students, and it would have worked much better as video or animation.  I still did not have a video camera, nor did I have the money to buy one.  But I had more connections now than as a child, so when I showed Dog Crap and Vince to the boys from the youth group at church, and mentioned that it would work better as a TV show or a movie, Zac Santoro offered to ask his dad if I could borrow their video camera.  And thus one of my most involved creative endeavors of my life so far was born.

That night, we had talked about beginning the project Sunday after church, so when I walked up to Zac, Ted Hunter, and Danny Foster after church and asked if they were ready to start filming, I felt inwardly frustrated when Zac replied, “Huh?”

“The Dog Crap and Vince movie.  You said you talked to your dad about borrowing your video camera, and that we could start filming today.”

“Oh, yeah!  He said you could borrow it.”

“So, like, now?  Are we going to your house?”

“Sure.”

“I can’t,” Ted said.  “My mom said I have to come straight home.”

“We talked about this on Wednesday,” I reminded Ted.  “You said you’d be free on Sunday, and that you would play Vince.”

“I forgot.”

“Well, I can still get the camera, and maybe we can film some scenes that don’t have Vince in them.”

“Film some scenes?” a voice behind me asked.  I turned around to see Jim Herman.  I knew Jim from seeing him around church; he was older than me, I would guess in his mid-thirties, presumably single because I never saw him with any sort of family.  Everyone at church seemed to know Jim.  “What are you guys doing?” Jim asked.

“We’re making a movie,” I explained.  “I’m borrowing a camera from the Santoros.”

“You think I could go along and help out?”  Jim’s question caught me off guard, and when he saw me hesitate, he added, “That way you can all be on camera at the same time, and I can be the cameraman.”

“Sure,” I said.  “That would be helpful for scenes I’m going to be in.”


By the time we got to the Santoros’ house, we had already made a change to the script.  The boys had decided to film a scene that broke the fourth wall, in which I would knock on Zac’s door asking if Zac could come make a movie with us.  Although I had carefully worked on this script for several days, this change seemed like it would fit the quirky, offbeat nature of the Dog Crap and Vince world.

Zac, Danny, Jim, and I walked up to the front door of Zac’s house.  I knocked on the door, and Zac’s dad answered a minute later  “Hi, boys.  Hi, Greg,” he said, shaking my hand.  “Jim.”  Had I been more observant of body language and subtle cues, I might have noticed a shift in Mr. Santoro’s tone when he addressed Jim, but at the time I thought nothing of it. “Here’s the camera,” Mr. Santoro continued, handing me the camera.  “Please be careful with it.”

“I will,” I said.  “They wanted to film a scene here first.  Is that okay?”

“Sure!”

I handed Jim the camera as we filmed the new scene.  Zac’s six-year-old sister answered the door, and I asked if Zac was home.  Zac appeared a few seconds later, and I said, “Hey, Zac.  Let’s make a movie.”

“Okay!” Zac announced excitedly, acting overly dramatic in a way that I had not intended.

“Go get Danny,” I said.

Zac turned his head toward the inside of the house and called out, “Danny!  Let’s go make a movie!”  Danny ran out of the house a few seconds later, Zac following, me following both of them, and Jim following us with the camera.  “We’ll pick up Ted on the way!” I shouted, since Ted was not there.  The two boys, for reasons unknown other than the fact that they were teenage boys, jumped onto the hood of my parked car.

“Cut,” I said to Jim a few seconds later, taking the camera back after he stopped recording.

“Ow!” Danny said.  “You kicked me in the head!”

“What?” Zac asked.  I played the footage back on the camera’s small screen, and just before Jim had stopped recording, I saw Zac’s foot connect with Danny’s head as they climbed on my car.  “You have to leave that in the movie!” Zac said.  “Sorry, Danny, it was an accident.”

“It looks good,” I said.  “I think it would be hilarious to leave that part in the movie.  Especially since it was an accident.”


The leaders from The Edge, the junior high school youth group from church, would have dinner at the Parkers’ house before youth group on some Wednesdays.  The Parkers’ oldest son, Brody, was a sophomore at the University of Jeromeville and one of the Edge leaders, and their youngest, a girl named Michelle, was a student in the youth group, the same age as the boys I was making the movie with.  Michelle was playing Kim, Dog Crap’s love interest in the movie.  I had arranged with the Parkers and Michelle’s real life friend, a girl from the youth group named Shawna Foreman, to film a scene when the leaders came to the Parkers’ house for dinner.  The two girls were in Michelle’s room, talking about cute boys, when Michelle’s character, Kim, admitted that she liked Dog Crap.  I held the camera for that scene, and one take was good enough.

The Parkers had two telephone lines in their house.  Adam, the youth pastor, was downstairs using one phone to call the other, so that I could record Kim answering the phone in her room.  After Shawna’s character left, the final film would cut to Dog Crap fidgeting in front of his phone, working up the courage to call Kim and ask her to a school dance.

“Hello?” Michelle said in character as Kim.  The final film would then cut to Dog Crap chickening out, awkwardly shouting into the phone, “You have the wrong number!”  I continued running the camera as Michelle got a confused look on her face and said, “Oh, sorry.”  Michelle hung up the phone.  Then she looked up and said, “Wait a minute!  How could I have the wrong number? I didn’t call anyone!”

I played the tape back on the camera’s small screen.  “It looks good,” I said.  “Thanks.  We’ll do the dance scene after The Edge tonight.”

“Sounds good!”

“Do you need me again?” Shawna asked.

“Those were your only speaking lines, but you’ll be in the background at the dance.”

“Great!  I’ll see you tonight!”


Five Iron Frenzy, a punk-ska band with a Christian background who were too edgy to get much attention on Christian radio, was very popular with the Edge kids at the time.  Ted told me that he had gotten the band’s permission to use their music in our movie; he was probably not telling the truth, but I did not bother to check.  After The Edge, I filmed the school dance scene for the end of the movie in the youth room.  Five Iron Frenzy’s “Where Zero Meets Fifteen” played while Dog Crap and Kim danced.  The others in the background danced in much sillier ways than I had imagined; I was losing control of just how quirky this movie was, but I just wanted to get it done.  And quirky was good for a project like this, I thought.

“I love this song!” Zac said in character as Dog Crap.

“Me too!” Michelle replied in character as Kim.  “It’s my boyfriend’s favorite song!”

“Boyfriend?” Dog Crap said.

“Just kidding!  Vince told me to say that.”

I wanted to imply that Vince was playing a prank on Dog Crap by telling Michelle to pretend that she had a boyfriend. I wanted Dog Crap to say something like “I’ll get him back for that,” but what Zac did instead was shout, “Vince!” and run out of the room.  At this point, I was not going to be picky; that would have to be good enough.

Kim’s comment about her boyfriend was a reference to a scene from earlier in the movie.  I had to shoot the film out of order, to accommodate everyone’s schedules, and I took careful notes of what had already been done and who was needed in each scene.  In the boyfriend scene, which we had not yet recorded, Dog Crap and Vince were at school, talking at lunch.  Dog Crap said that it is hard for him to ask a girl out because, whenever he starts talking to a girl, she will start talking about her boyfriend, so that he will not ask her out.

“That’s not true,” Vince replied encouragingly.  “There’s Christine.  Go talk to her.”

Dog Crap walked up to Christine and said, “Hey, Chrsitine.  Did you figure out that one math problem you were confused about?”

“Yeah,” Christine answered.  “My boyfriend is good at math.”

Dog Crap walked back to Vince with a look on his face as if to say I-told-you-so, and Vince said, “That was just one girl.  It’s not everyone.  There’s Samantha.  Go talk to her.”

Dog Crap walked up to Samantha and said, “Hi, Samantha.”

“My boyfriend says hi to people,” Samantha replied.

At least that was how I pictured the scene in my head.  When we recorded it a few days later, Vince said “go ask her out” instead of “go talk to her” for Christine.  That seemed out of place if the whole point of the movie was that Dog Crap wanted to ask out a different girl from these two.

Christine and Samantha each had only one line, and I recorded their parts for that scene after we finished the school dance scene.  It turned out better than I had planned.  When I first started working with The Edge last year, a girl named Samantha Willis had said some awkwardly silly things to me.  When I wrote this scene, I named this character Samantha because I had Samantha Willis in mind to play the role, and fortunately, she agreed.  “My boyfriend says hi to people a lot!” she exclaimed excitedly on camera, before adding “Bye, Dog Crap!”  It was perfect.

We filmed one more scene in the youth room.  I played Matt, the school bully, who was also trying to ask Kim to the dance despite Kim’s frequent rebuffs.  In this scene, near the end of the movie, Kim turns Matt down again.  “I’d rather go out with someone who crawled out from under this table!” Michelle exclaimed in character as Kim, lightly shoving Matt away.

Just then Zac, in character as Dog Crap, crawled out from under the table, where he had been looking for something he dropped.  Dog Crap greeted Kim, who smiled at him, and he used the opportunity to ask her to the dance.  I thought that scene was particularly brilliant writing on my part, and Zac and Michelle acted it perfectly.


On Saturday, I picked up Zac, Ted, Danny, and Michelle, as well as Jim, who did not have a car.  We went to a nearby school, with classrooms that opened directly to the outdoors with no hallway in between, to film the scenes taking place at school.  It was more common in those days for school grounds to be left unlocked, open to the public, and all of the school scenes took place outside of classrooms, so this would be good enough for my purposes.

While Dog Crap was trying to find a way to ask Kim to the dance, Vince was training for an upcoming video game tournament.  My bully character, Matt, in addition to trying to steal Kim, was also bragging that he was going to win the tournament.  Dog Crap’s cousin had told him about Fish Boy, a mysterious video game master who lived in Jeromeville.  I also played Dog Crap’s cousin; my two characters were distinguished on camera by Matt wearing a hat and Dog Crap’s cousin not wearing a hat.  Of course, though, in one scene I forgot to wear the hat as Matt, and confusion resulted when I showed the movie to people later.  I did not know how to run a costume department.

In character as Dog Crap’s cousin, I suggested that we all travel to Jeromeville to meet Fish Boy, and Ted replied as Vince with a brilliant ad-libbed rant.  “Jeromeville?” he said with a crazed look, grabbing my shoulders to get my attention.  “I’ve heard about this place!  They have frog tunnels!  And roundabouts!  And you get arrested for snoring too loud!  It scares me!”

I was not expecting this, but I stayed in character and calmly replied, “But Fish Boy is there!  You’ll win the video game contest for sure.”

Vince, instantly back to normal, said, “Oh, yeah. Let’s go!”

Later, we drove around to film scenes from the Jeromeville trip.  In character, I got lost several times and made multiple wrong turns, including getting stuck in a roundabout circling multiple times.  I took Jim and Michelle home, since I was done with their scenes, and the rest of us went to the Fosters’ house to film the scenes with Danny playing Fish Boy.

Danny’s eighteen-year-old sister Erica, a leader with The Edge, joined us as we walked a quarter mile to the nearest gas station, where the characters had to stop to ask for directions.  I had intended this scene to be a shot-for-shot parody of the scene from The Empire Strikes Back where Luke Skywalker meets Yoda, without realizing at first that the little green stranger who finds him is Yoda.  The boys wanted to go into the gas station store and get snacks.  I wanted to focus on getting my movie done, but since these boys were doing a favor for me for free, I let them.  Afterward, I reminded everyone of their lines and started the camera.

“We’re being watched!” Zac said in character as Dog Crap, noticing a girl next to them.

“No harm I mean you,” Erica replied, using her normal voice but Yoda’s characteristic syntax.  “Wondering what you are doing here, I am.”

“We’re looking for a video game master.”

“Fish Boy!  You seek Fish Boy!”

“You know Fish Boy?” Dog Crap asked.

“Take you to him, I will!”

For the next scene, we returned to the Fosters’ house.  After an awkward blooper in which Ted forgot his lines, Ted, in character as Vince, angrily spoke up about how they were wasting their time.  Luke Skywalker had done the same when Yoda took him to his house.

“I cannot teach them,” Erica said, turning away.  “They have no patience.  They are not ready.”

“I was once the same way,” Danny replied from off camera.

Dog Crap and Vince looked at Erica, wide-eyed.  “Fish Boy?” they said.  They turned to each other and added, “Fish Boy’s a girl?”

“No, silly!” Erica replied, no longer speaking like Yoda.  “I’m no good at those games!  Fish Boy’s my little brother.”

Danny emerged from his bedroom, wearing some weird mask and carrying a hockey stick.  Neither of those details was in the script, but this movie was already weird enough, so I allowed it.  I continued recording as Fish Boy showed the other two shortcuts and special techniques for the game they were playing.  After we finished, I thanked Danny’s parents for letting us their house.  I took Ted and Zac home, then went home myself.


Over the next couple weeks, when I had time, I finished recording the remaining scenes.  I edited the movie with a very unsophisticated setup of two VCRs connected to each other.  We had a watch party on the big projector screen in the youth room at church after The Edge the following week; most of the Edge leaders and some of the kids who were in the movie stuck around to watch.

By modern standards, the movie was pretty terrible.  I knew nothing of acting, directing, or editing, and with my rudimentary equipment, the video and sound quality was subpar.  The characters’ clothes inexplicably changed from one shot to the next within the same scene, and twice during the movie, my shouts of “Cut!” were audible at the end of scenes, since editing a video with two VCRs was not a precise technique.  The film was only half an hour long, too short to be considered a feature film.  But we had so much fun and made so many memories during those few weeks.

The Dog Crap and Vince movie had a lasting legacy in my life.  The boys from The Edge and I quoted lines from the movie to each other for years to come.  I watched that movie so many times with so many people that I still remember much of the dialogue by heart.  And Samantha, the boys’ classmate whose boyfriend said hi to people, became a regular character in the web series.  It was later revealed that the character’s last name was Whitehead, and years later, among my adult friends, the act of bringing up a significant other in conversation out of context became known as “pulling a Samantha Whitehead.”

Those few weeks that I spent making the Dog Crap and Vince movie also set in motion a chain of events that took a much darker turn.  I had no idea at the time that anything like that would come to pass from it, or that anything like this would happen among a Christian community such as Jeromeville Covenant Church.  Looking back, though, in that context, it makes sense now why Mr. Santoro, normally a warm and friendly man, seemed aloof when he greeted Jim Herman on the day I borrowed the camera.  But that is a story for another time.

This project was also the beginning of my realization that I prefer creative projects I can do alone over ones requiring the involvement of others.  As much as it is fun to bring others into my creative mind, coordinating everyone’s schedules and dealing with flaky people caused much frustration.  The same thing invariably happened every other time I tried to involve others in Dog Crap and Vince projects.  But for the people who did stick to their commitments, I now have a record of the role they played in my life.


Readers: Tell me in the comments about something creative that you worked on with others. Did it all go according to plan or not?

As always, the episodes featuring Dog Crap and Vince were inspired by Cow Chip & Lance, an actual creative project that some people I know have worked on for decades. It has been inactive for a couple years, but some of their material is still available for viewing (click).

Also, if you like music and aren’t following my other site yet, Song of the Day by DJ GJ-64, go follow that one.

And I updated my Greg Out Of Character blog for the first time in several months, with a post that has little to do with 1997. Go follow that one too.

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