The crowd at Saint Mary Park was fairly sparse when I arrived that day, which I saw as a good thing because I found crowds difficult to deal with sometimes. The park was more like a small plaza tucked among tall buildings in the grid of streets in downtown Capital City. On one side of the plaza was a commercial shopping street that at some point in the city’s history had been closed to motor vehicles, with light rail trains running down the middle of the street. The Cathedral of the Sacred Heart, where two of my concerts with University Chorus were held, was a few blocks to the east, along this pedestrians-only street. To the west of St. Mary Park was a two-story outdoor shopping mall, the product of a downtown realization effort that had happened several years before I moved to this area. I had been to that mall before; there was a game store there where I bought my copy of Catan, or as it was called back in the ’90s before it was mainstream enough to be sold in general stores, The Settlers of Catan.
I had made the drive across the Drawbridge from Jeromeville on that hot morning to attend the Under Heaven Festival, an all day exhibition of Christian music and art across two downtown parks. My friend Darius Curtis from church had some friends from another church who were involved in planning this event, and I had also heard about it from the email list of Carolyn C. Parry, a friend from University Chorus who had graduated and was now performing small shows throughout the region and would be performing here later this afternoon.
As I walked across the mall toward St. Mary Park, I heard music getting gradually louder. The mall was not busy, but not completely empty either. When I arrived at the park, a four-piece band I did not know was playing a song I did not recognize, but they sounded pretty good. The festival had begun about half an hour ago. I did not make much of an effort to get there right on time, since the artists I actually wanted to see were all playing later.
I saw an information booth at the edge of the park. “Can I help you?” a volunteer asked as I walked up.
Looking at the table at the information booth, I said, “Can I get a program?”
“Sure,” he replied, taking a folded 8 ½-by-11 inch page off of a stack. The paper had a schedule of performers, and a map showing the two parks and the four block walking route in between.
I then pointed at a pile of black t-shirts and asked, “Do you have one in extra large?”
“We sure do,” he said, holding up a shirt in my size. The front said “uh!” in large lower case letters. Clever, I thought. The initials of “Under Heaven” spelled “uh,” like the sound people made when they were trying to think of something. The volunteer turned the shirt over to show me the back, which said in much smaller printing, “Salvation is found in no one else, for there is no other name under heaven given to men by which we must be saved. Acts 4:12.” I gave him the money, rolled up the shirt, and stuffed it into the side pocket of the cargo shorts I was wearing. It would be wrinkled the first time I wore it, but that was no big deal; I would wear it around the house the first time and then wash and dry it properly.
When that band finished playing, I walked to the other stage at Ninth Street Plaza. I gradually heard the music from the St. Mary stage recede into the background, followed by an equally gradual crescendo of the music from the Ninth Street stage. The band playing there, another one that I had never heard of, was much louder and heavier than the band playing at St. Mary Park. They finished a song, and the singer approached the microphone, motioning for the crowd to quiet down and listen. “I wrote this song one day when I was deep in prayer, and I was just overwhelmed thinking about how much God loves each and every one of us, and I wanted to just praise his name and sing of his love.” His band began playing loud, high-energy hard rock as he screamed unintelligible words into the microphone. I wondered exactly how one would learn of God’s love through unintelligible screams.
At the opposite end of the Ninth Street Plaza from the stage were three temporary shade pavilions. According to the program, this was the art exhibit. This event called itself an art and music festival, and I was curious about what the art would look like. I saw a very well done painting of Jesus hanging on the cross, his face showing detail of the anguish his physical body must have been going through. Next to this was a simple but effective sculpture of two men embracing, meant to represent the Prodigal Son returning to his father. As I walked through that tent full of paintings and sculptures, I thought about how visual art could bring glory to God the same way that music did. Each one of these artists used their creations to do just that, as had many classical artists throughout history.
A little before three o’clock, I walked back to St. Mary Park. Carolyn, my friend from chorus, was playing there next. When I arrived at the stage, Carolyn was just beginning the first song of her set, “Seasons Change,” the title track of her CD. I thought that song was appropriate for this time in my life, and with Carolyn having just finished her degree as well, it was appropriate for hers too. A guy I did not know was on stage with her, accompanying Carolyn’s vocals and acoustic guitar with some sort of hand drum. At one point during the show, she played a song with a male backing vocal, and the drummer sang this part. I never heard his name, but I wondered if he was the same guy who sang the backing vocal on the album recording.
I had seen Carolyn perform once before, at the Spring Picnic last month on campus, and I bought her CD at that show. Today, she performed most of the songs on the CD, in addition to a couple of new ones she had been working on. She did not say anything about if or when she would release another CD, but if it sounded anything like this, I would buy it.
After she finished, I walked toward the stage, and I waved when she looked up and saw me. “Greg!” she said. “Thanks for coming out! Are you enjoying all the other bands?”
“So far,” I said. “How have you been?”
“Good! What about you?”
“Not bad. I got a job for next year!”
“You did? Congratulations! Teaching math, right?”
“Yes! At Jorgensen High School, next to Tyler Air Force Base.”
“Good! That’s not too far away.”
“Yeah. I’m gonna stay in Jeromeville and commute.”
“Greg!” I heard a familiar male voice say behind me. “You know the singer?”
“Yeah,” I said, turning around to see Darius. “This is Carolyn. She went to Jeromeville, and we were in chorus together. Carolyn, this is Darius. He goes to church with me at Jeromeville Covenant. And he has an older sister who lived downstairs from me in the dorm freshman year.”
“Nice to meet you!” Carolyn replied, smiling at Darius. “I need to get my stuff put away, but it was good talking to you!”
“Yes!” I replied. “Enjoy the rest of your weekend!”
Darius turned to me and asked, “Have you heard this next guy up?”
“No,” I said. I looked at the program and read the next performer’s name. “Justin McRoberts. I don’t think I’ve heard of him.”
“He’s from somewhere near Bay City. I think it’s just going to be him and an acoustic guitar. My friend has his CD, and it’s really good. Raw and authentic music for Jesus.”
“I see.”
“Are you having fun?”
“Yes! I just wonder why this wasn’t better publicized. I didn’t hear anything about it at church. I didn’t hear anything about it at JCF. I heard you talking about it, and I’m on Carolyn’s email list and I saw this gig in an email, but that’s it.”
“Yeah. I think it’s because it’s their first time putting this on, and they haven’t really figured out all those details.”
“That makes sense,” I said. “And maybe because it’s in Capital City, they didn’t advertise it as heavily in Jeromeville. Even though Jeromeville and Cap City are only like ten miles apart, Jeromeville feels like a different world sometimes.”
“That could be too.”
I heard chords strumming from the stage a couple minutes later. I looked up; the guy on stage strumming his guitar was a young guy in a t-shirt and jeans, probably in his mid- to late 20s. “Hi,” he said into the microphone. “I’m Justin McRoberts.” He began playing and singing right after that.
Justin’s singing voice was much louder than his speaking voice. Justin was a talented singer, and if he wrote all of these songs himself, a talented songwriter as well. Maybe he would be another artist I would have to start paying attention to.
After Justin’s set, I walked back to the Ninth Street stage and watched a couple more bands that I did not know. I did not particularly like either of them. I wandered back to the St. Mary stage early in the evening, when the sun was low in the sky and much of the area around the downtown buildings was in shadow. I made a plan earlier to come back to St. Mary Park for the final two artists playing at this stage, Sherri Youngward and Sarah Masen, because I recognized both of their names. Every year, the youth pastor from J-Cov made a mix tape of Christian music to hand out to the students, called the Edge Mix. Sherri Youngward and Sarah Masen each had a song on Edge Mix ’97.
Sherri was just taking the stage as I arrived. Her music was mostly soft and slow, with thoughtful lyrics. She played the song I knew about halfway through the show. The lyrics were based on that passage in the Gospel of Matthew where Jesus says that by taking care of the lowly, we take care of him. I could not remember the title of the song; it was one of those songs where the title was something seemingly unrelated that did not appear in the lyrics. She played for about an hour, and I applauded after her set finished.
After Sherri finished playing, some crew people began taking down her stuff, and others set up for Sarah Masen. Her set was scheduled to begin at eight o’clock, and surprisingly, the festival was not running much behind schedule. Back in 1999, I was still new to the world of concerts, so I did not fully appreciate at the time that the most well-known artist usually played last. Sarah Masen was not exactly a superstar in 1999, but I had actually heard of her, unlike most of the artists here today, and she was a nationally touring artist, whereas many of the others were local to this part of the United States.
Although I had not heard much of Sarah’s music, I had seen her first self-titled CD in the church music library, and I knew approximately what she looked like from the cover photo. The woman who walked on stage as the crowd cheered was definitely Sarah Masen, but she did not look like what I expected from the picture on the CD case. She had cut her hair short in a pixie cut at some point in the years since that photo on the CD case was taken, and she also appeared to be pregnant. Sarah sat down and awkwardly put a guitar on her lap in front of her baby bump.
“How is everyone tonight?” she said into the microphone. The crowd cheered again, and by the time the crowd stopped, Sarah was strumming on the guitar. She began singing a song I did not recognize, something about seasons changing. I found it strangely appropriate that both Sarah and Carolyn had sung songs about the seasons changing, especially now when my season of life was about to change. Maybe this was God’s message that everything I was going through was normal and part of his plan.
“I’m a little rusty,” she said after the song ended. Gesturing toward her belly, she explained, “My husband and I are expecting our first child in September.” The crowd cheered as she continued, “I’ve been taking a break, just playing a few shows here and there.” I wondered how the organizers of this event had managed to get her to come all the way to Capital City for this show, especially while pregnant. Did someone have a personal connection? Did they just contact as many artists as they could and see who replied? I never did find out.
As Sarah played more songs, I looked at her and noticed that she looked younger than I expected, probably just a few years older than me at the most. (I would learn later that I was correct; she was 24 years old at the time.) She was already married and pregnant, but marrying and starting families young was fairly common for Christians.
Sarah had a distinct voice, high and soft like some of the girl rockers that were popular at the time, but different in her own way that was hard to describe. A few songs into the set, she played the more upbeat song “All Fall Down,” the one song of hers I knew. It sounded different from the way I knew it; I realized that this was because today, she was just sitting on stage alone with a guitar, and in the album recording I was familiar with, she had a backup band.
After that, Sarah said, “This next song is on the new album. I have it here for sale, and I’ll be at the table signing CDs after the show if you want. It’s called ‘Tears Like Flowers.’” She began playing, and about a minute into the song, she kept strumming the same chord for several seconds. Finally, she stopped playing and said, sheepishly, “I forgot the words. It must be pregnancy brain.” As the crowd laughed, a crew member quickly scurried on stage holding what appeared to be the booklet from the CD; Sarah turned a few pages and began singing again. That was definitely a first for me, seeing an artist forget the words in the middle of the show.
By the end of the show, I had decided I was going to buy the CD, and get it signed. The way she said “the new album” made it sound like this was a more recent release than the one that had All Fall Down on it. I liked this music. Having grown up in the kind of environment where young boys were mercilessly made fun of by their classmates for doing anything feminine, I was self-conscious sometimes about liking music by women. I was starting to get over this, since the people around me now were not like that, and I had bought Sixpence None the Richer’s CD recently, so I was just going to ignore what anyone might have thought about me and buy Sarah’s CD. The skies had turned dark by the time she announced that the next song would be her last one. She also reminded the crowd again that she would be signing autographs after the show.
When she finished, I wandered nervously to the merchandise table. I never seemed to know how to act when meeting someone slightly famous. Should I just act naturally, as if I had known Sarah forever? Should I tell her how much I love her music? Did it matter that I only knew one of her songs before today? I still had not planned in my mind what to say by the time I reached the front of the line.
“Hi!” Sarah said, looking me right in the eye and smiling.
“I really enjoyed the show,” I said. “I only knew one song before today, but I really liked what I heard. And don’t worry about forgetting the lyrics.”
She laughed. “That’s never happened before! I promise! I swear, this pregnancy is getting to me.”
“Could be. It makes the performance feel more authentic, I guess.”
“That’s a good way to look at it.”
I picked up the CD and asked, “Can you sign it?” I was correct in that this was not the album that had All Fall Down. I would have to buy that one now too, but apparently I would have to find it somewhere else.
“Of course!” Sarah replied, removing the shrinkwrap and turning to a page in the middle of the CD booklet. I became curious a few seconds later when I noticed that she was writing something that seemed longer than a typical autograph. I handed her the money and took back the CD, flipping the booklet open to see what she wrote:
Forgetting makes remembering sweeter.
Sarah Masen
She wrote the M in her last name with the two vertical strokes on the sides angled inward toward each other, meeting at the bottom, so that the M looked like a heart. Wow. This no longer seemed like just an autograph so much as a personal message.

“Thank you so much,” I said, turning back to Sarah.
“You’re welcome. Have a blessed night.”
“You too!”
The Under Heaven Festival did not continue after that first year. I wondered how much of that had to do with the lack of publicity. Most of my friends, even those who were very heavily involved in their churches and the type to listen exclusively to Christian music, had not heard about the festival. The next morning at church, I was talking to Faith, the youth leader intern on staff, about what I had done that weekend, and she had not heard anything about the festival. She had heard of Sarah Masen, and she was excited to find out that I had met her.
That day was the only time I have ever seen Sarah Masen play live. Justin McRoberts and Carolyn C. Parry were the only artists from that day I would see again. That day was also the first of only two times I would see a musician forget the words to her own song in the middle of a show. The other was Carolyn, about three years later. She admitted to the crowd after strumming the same chord for about ten seconds that she had forgotten the words, and I had the great privilege of saving that show by shouting the next line to her.
I thought about Sarah’s words often as I listened to that CD over and over again during the next few weeks. Forgetting makes remembering sweeter. I have found that I sometimes tend to remember the most random details of my life for years, yet other things I forget quickly. Time passes, and events of life become forgotten and lost until, sometimes, one word, sight, or sound will set off a chain reaction in my brain to bring a torrent of sweet memories flooding back.
I write these stories to keep these memories alive, not only the memories of my personal history, but also more generally, memories of a time that has passed and a world and way of life that passed with it. Back in 1999, the world felt new and exciting as the Internet emerged as a newly mainstream technology, with the new millennium on the horizon. But now in 2026, even the world of 1999 with its dialup Internet and a hundred channels of cable television seems quaint and dated. I remember more of my life in 1999 than most people I know do, but I certainly have forgotten a lot of details. As I was working on preparing for the next few episodes, I found, buried in a long-ignored folder that I had copied from old computer to new computer many times over the years, copies of monthly newsletter emails that I wrote to stay in touch with my friends. I will tell more about those newsletters in an upcoming episode, but while reading what I wrote in 1999, I noticed that I had forgotten an important detail of that time of my life.
That spring, about a month before Under Heaven, our landlord needed to know who was staying at our house the following year. I did not know for sure yet if I would have a job close enough to Jeromeville to commute. My housemate Brody had a friend ready to take my spot if I would be leaving. I prayed about it, and I put it in God’s hands, ultimately telling my housemates to give up my spot. If I got a job close enough to stay in Jeromeville, God would find a place for me to live somehow, even though most rentals in Jeromeville for the fall are taken by March. Shortly after I got the job offer from Jorgensen, Brody’s friend backed out, so I got to stay at my house another year. All of the pieces of the story worked out perfectly for me to not have to move that summer. I had completely forgotten about this until a few days before this writing, and just as Sarah Masen had told me, forgetting about that time that God worked so clearly in my life made the memory that much sweeter. God continues to work in my life today, and he will for the rest of my life.
Readers: Tell me in the comments about an interesting story about something you forgot and remembered.
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Disclaimer: Justin McRoberts, Sherri Youngward, and Sarah Masen are actual musicians. I actually did meet Ms. Masen, and a few years later I would meet Mr. McRoberts. But none of them were involved in the creation of this story.




